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                <text>Escoliosis social</text>
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                <text>&lt;span&gt;ReDCA&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Repositorio Digital de la Cultura Artistica&lt;br /&gt;published via YouTube.com</text>
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                <text>Gesto: Visibilizar</text>
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                <text>El artista se muestra en el vídeo trasvestido. Los cortos en negro y la transición a la imagen se usan para reforzar la retención y compresión del mensaje por parte del público. El audio nos habla de datos tomados de fuentes confiables que evidencian la realidad homofóbica en la nación. La información que se comparte se ve opacada por el último audio que habla sobre la adversidad a la que se enfrenta esta comunidad por una mayoría que más allá de una reforma a la ley, se niega a dialogar con sus semejantes por los prejuicios a los que se aferra.</text>
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                <text>LPG/ReDCA/Facultad de Bellas Artes</text>
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                <text>Theatrum mundi</text>
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                <text>Gesto: automatismo</text>
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                <text>El término “Theatrum mundi” traducido se entiende como “el gran teatro del mundo”, es una frase acuñada por el poeta español Calderón de la Barca, misma que usó para titular una alegoría escénica, se le reconoce por sintetizar de manera acertada el estilo de vida de la sociedad de su tiempo, el sentimiento barroco.&#13;
&#13;
La sociedad de clase media, sumida en un acelerado movimiento casi automático, parece renegar de su autonomía y capacidad racional; si sus antepasados fueron víctimas de la invasión y opresión, ahora el yugo lo carga sola y condena al de enfrente. Las condiciones para el individuo tienden a ser adversas, más su conformismo lo afianza al rezago. </text>
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                  <text>En esta colección se pueden encontrar los performance con tema "cuerpo doliente" realizados por el Laboratorio de Performance y Género de la Facultad de Artes.</text>
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                <text>Gesto: transformación</text>
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                <text>El artista invita al público a escribir en fragmentos de papel los prejuicios o estereotipos que tengan presentes en su realidad individual y colectiva, mismos que son recolectados por dos auxiliares y pegados en el cuerpo del performer. Acto simultáneo, el artista pinta con rojo su piel cada que uno de estos papeles se agrega. Al finalizar, se cubre el cuerpo con una manta negra, el artista se recuesta en el suelo y la manta se cambia por una blanca; ésta se retira segundos después y los auxiliares retiran los papeles para hacer bolas y pintarlas de azul y verde, simulando las flores sobre una tumba.</text>
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                  <text>En esta colección se pueden encontrar los performance con tema "cuerpo simulado" realizados por el Laboratorio de Performance y Género de la Facultad de Artes.</text>
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                <text>“El sexo es tan cercano que se funde con su propia representación”&#13;
Baudrillard&#13;
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El Doctor John Lilly creo una técnica de estimulación llamada Rest para poder conectar al hombre y la maquina porque existe una teoría, que la tierra tiene una resonancia llamada Shuman en la cual se despierta la conciencia y los humanos se podrán conectar por medio de una red neuronal. Consistía en con prótesis neuronales con una interfaz conectada al cerebro y computadora. Se ayudaba de choques eléctricos y drogas psicodélicas como la ketamina.</text>
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                <text>El porno estimula en un plazo muy corto la segregación de dopamina, por lo tanto existe una preocupación por parte de los terapeutas y consejeros sexuales estaban comenzando a asociar el incremento del consumo de pornografía en los hombres jóvenes con un aumento de casos de impotencia y eyaculación precoz en ese mismo grupo de edad. Se trataba de jóvenes saludables sin patologías físicas ni psicológicas que pudieran justificar una disfunción sexual. La pornografía estaba insensibilizando de forma progresiva la sexualidad de esos hombres. Dados los efectos de esta insensibilización en la mayoría de los sujetos masculinos, los investigadores descubrieron que estos necesitaban unos niveles superiores de estimulación para conseguir el mismo nivel de excitación. Este efecto de la dopamina explica por qué el porno tiende a ser más y más duro: las imágenes sexuales comunes han perdido finalmente su poder, llevando a los consumidores a necesitar nuevas imágenes que rompan tabúes de otros tipos con el objetivo de alcanzar la misma satisfacción. Además, algunos hombres (y mujeres) tienen lo que se denomina "agujero de dopamina". Sus sistemas de recompensa cerebral son menos eficientes, lo que les predispone a convertirse en adictos a un porno cada vez más extremo con mayor facilidad. Además que el internet a cabo con la industria del porno con sus paginas gratuitas y ahora está al alcance de todos.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="470">
                <text>Andrea Paulina Barrón Vega</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="471">
                <text>Tecnológico y simulado</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="472">
                <text>Conectar</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="473">
                <text>Reflejo la parte negativa de los avances fulminantes de las nuevas tecnologías, las grandes ventajas que nos brindan son evidentes, pero ¿Qué hay de las consecuencias? Del precio que como sociedad estamos pagando</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="474">
                <text>03:39 min./MP4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="475">
                <text>2018/Querétaro, México</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="476">
                <text>Estar en un lugar al aire libre rodeada de aparatos electrónicos, se van colocando separados unos de otros, rodeando a la artista, con cada aparato se va interactuando y el vídeo va distorsionándose con el paso del tiempo</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="477">
                <text>ReDCA</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="478">
                <text>ReDCALPG000036</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Table Of Contents</name>
            <description>A list of subunits of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="479">
                <text>LPG/ReDCA/Facultad de Bellas Artes</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="480">
                <text>LPG, ReDCA, FBA, UAQ</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="481">
                <text>Creative Commons: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="3">
        <name>Performance</name>
      </tag>
      <tag tagId="25">
        <name>Simulado</name>
      </tag>
      <tag tagId="26">
        <name>Simulated</name>
      </tag>
      <tag tagId="28">
        <name>Technological</name>
      </tag>
      <tag tagId="27">
        <name>Tecnológico</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
