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                <text>¿Cómo llevar al límite un dolor emocional? Convertirlo a uno físico mostrando como las palabras que uno dice o lo hieren con ellas las puede llevar en su cuerpo causando un dolor.</text>
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                <text>Representar el problema de la arritmia cardíaca, de manera que se muestra el deseo de poder mejorar la calidad de vida como si se reparara a un robot</text>
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                <text>Sentarse frente al espejo, viendo el reflejo de manera preocupada al estar escuchando el estetoscopio, después de pinta sobre el reflejo un corazón con labial rojo, para ir curándolo por medio de curitas y poniendo una serie encima del corazón dibujado, se escucha ahora el reflejo con un gesto feliz y tranquilo</text>
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                <text>En este performance yo entraré al espacio donde realizare mi acción mientras se escuchan en una bocina las mañanitas, en medio del espacio hay unos costales con tierra o arena y unas palas, prepárame mi fiesta de cumpleaños, prenderé las velas del pastel, acomodare platos, gorros y adornos, así como serviré refrigerios y refrescos, llenare de serpentinas y globos, después les daré al público las palas y les pediré que me entierren sin cubrirme la cabeza (yo me acostare para que esto suceda), cuando ya este semi enterrada, les pediré que usen la tierra donde estoy enterrada con un mantel arriba como mesa, se ponga mi pastel encima, se apaguen por mí y los presentes las velas y que comamos pastel y refrigerios y contemos recuerdos y experiencias sobre nuestros cumpleaños que recordemos, y tener una fiesta juntos.&#13;
&#13;
El “cumpleaños” es el aniversario del nacimiento de una persona, en muchas culturas es costumbre celebrar los cumpleaños con una fiesta con familiares y amigos, en donde se dan regalos a la persona homenajeada. Las fiestas de cumpleaños son muy populares sobre todo entre los niños; es costumbre comer un pastel, al cual se le colocan velas, para que el cumpleañero/ra sople y las apague mientras los invitados cantan alguna canción, la más popular son las mañanitas. &#13;
&#13;
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                <text>Este performance toma la imagen de María Magdalena, para llevar a cabo una lectura de distintos textos, tanto eróticos como bíblicos sobre  la imagen de la mujer, vista como ser sensual y sexual pero al mismo tiempo divino  y santo,  creando una dualidad de la mujer  conocedora de su erotismo pero que no carga culpa con este. Los rostros de Maria Magdalena van cambiando, al mismo tiempo que se van leyendo los fragmentos poéticos mientras va coronando su atuendo de rosas rojas, como parte de su reivindicación femenina.</text>
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