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                  <text>En esta colección se pueden encontrar los performance con tema "cuerpo gestual" realizados por el Laboratorio de Performance y Género de la Facultad de Artes.</text>
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                <text>El maíz criollo en México es una especie que está en peligro de desaparecer por las intervenciones para obtener una mayor producción. &#13;
“El maíz es uno de los granos más importantes en la alimentación mundial, por lo que no es sorprendente que los fitopatólogos recalquen la importancia genética de variedades resistentes a climas extremos. Los expertos afirman que la preservación genética de las variedades mexicanas, no es sólo de interés nacional, sino de toda la humanidad. &#13;
Entre los factores más importantes que afectan a la variedad genética del maíz mexicano destacan economía y contaminación genética. “Con el cambio climático, surgen nuevas enfermedades, y el único lugar en el mundo donde podemos encontrar variedades que podrían mostrar resistencia es México,” menciona Aldo González, agrónomo de la zona Zapoteca, en entrevista a McClatchy Newspapers. &#13;
“Si el conocimiento tradicional no se pasa de generación a generación, y estos campesinos dejan de producir maíz criollo, entonces esa variedad se pierde por razones económicas,” menciona Timothy A. Wise, experto en políticas rurales del Instituto Ambiental y de Desarrollo Global de Universidad Tufts, en Massachusetts (EUA).”* *http://www.hortalizas.com/poscosecha-y-mercados/el-valor-del-maiz-criollo-de-mexico/ &#13;
En esta representación trato de resistir el máximo tiempo con 50 kilogramos de maíz criollo con las manos, haciendo alusión al tiempo que nos queda para que este grano de identidad en México se extinga.&#13;
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La luz germicida o irradiación ultravioleta germicida se utiliza para la desinfección del aire y del agua, curar tintas y recubrimientos, desinfectar, destruir contaminantes en alimentos, purificar el agua y el aire a través de los rayos ultravioleta a base de oxidación avanzada. En esencia la radiación ultravioleta rompe los enlaces moleculares en el ADN del organismo].&#13;
La realidad que aparentamos con la tecnología acaba con la realidad. La proyección del video por medio de una imagen en tiempo real no se empata con el momento real (este se desfasa). Muchas veces el querer mejorar la fidelidad del sonido e imagen, acaba por crear otra realidad.&#13;
“Con la realidad virtual y todas sus consecuencias, hemos pasado al extremo de la técnica, a la técnica como fenómeno extremo. Más allá del final, ya no hay reversibilidad, ni huellas, ni siquiera nostalgia del mundo anterior… “&#13;
El crimen perfecto&#13;
Jean Baudrillard</text>
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                <text>Un espejo que te muestra tal cual eres, un par de revistas que están asociadas con la sociedad en la que vivimos, con estándares de belleza tan altos que ni siquiera las mismas modelos alanzan, no dictan como debemos ser, como debemos actuar, para ser las chicas “perfectas”</text>
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                <text>Cubrirse los ojos y descubrir la boca cerrada con perforaciones, tomar un estambre negro representando la acción de coser los labios vaginales, hasta que cubra por completo la boca, quitar el estambre y arrancar las perforaciones, embarrar la sangre y agradecer</text>
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                <text>Clavar, Caminar, Dejar</text>
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                <text>Se presenta ante la audiencia vestida de manera elegante, acompañada de un hombre, al cual se mantiene unida por hilos rojos (simbolizando la menstruación) y es introducida a una pecera llena de billetes, el hombre coloca sobre la mujer etiquetas con precios de lo que cuestan las operaciones estéticas, él camina hacia el frente y la mujer empieza a colocarse etiquetas que le ha impuesto la sociedad, sale de la pecera y se dirige hacia el hombre, se coloca al frente de él y lo confronta, devolviéndole las etiquetas que él y ella misma se colocaron,  quita de su zapato una foto de ella con su padre, camina hacia el frente y llega a una libreta donde escribe una frase, deja la foto y un anillo, es libre</text>
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&#13;
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                <text>Caminar sobre una tela blanca con los pies llenos de pintura para ir dejando huella sobre la superficie, al mismo tiempo que se lee por detrás "No desaparece el que se muere, sino el que se olvida"</text>
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                <text>Pintar, cortar, repetir</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="3256">
                <text>El ciclo de la vida de una persona por medio de la repetición de las cosas que dejan huella de lo que fuimos</text>
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          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="3257">
                <text>02:59 min./MP4</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>2019/Santiago de Querétaro, México</text>
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          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="3259">
                <text>Tener un rollo de papel colgado, sobre el cual se van pintando con el cabello y una brocha de manera repetida, hasta dejar colocado uno con un mechón de cabello</text>
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            <description>A related resource</description>
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                <text>https://youtu.be/2CwHEAXserM</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3261">
                <text>ReDCA</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="3262">
                <text>ReDCALPG000171</text>
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          <element elementId="54">
            <name>Table Of Contents</name>
            <description>A list of subunits of the resource.</description>
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                <text>LPG/ReDCA/Facultad de Bellas Artes&#13;
&#13;
</text>
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          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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              <elementText elementTextId="3264">
                <text>LPG, ReDCA, FBA, UAQ&#13;
&#13;
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            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
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              <elementText elementTextId="3265">
                <text>Creative Commons: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/)</text>
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        <name>Body</name>
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        <name>Cuerpo</name>
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      <tag tagId="41">
        <name>Huella</name>
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      <tag tagId="49">
        <name>Identidad</name>
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      <tag tagId="50">
        <name>Identity</name>
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      <tag tagId="466">
        <name>Peformance</name>
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      <tag tagId="3">
        <name>Performance</name>
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      <tag tagId="164">
        <name>Print</name>
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