http://redca.uaq.mx/academico/files/original/e93fb99538ebd4dd83e2b8a1a1e559b9.jpg c300349989fc463e82a472b18859a28c http://redca.uaq.mx/academico/files/original/23ad5233a7a7da6afded0ad5e3e90c77.pdf 2dd2647dc83557b14e05b630a6b25699 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Licenciatura en Música (LMU16) Description An account of the resource En esta colección se pueden encontrar los proyectos de la Licenciatura en Música de la Facultad de Artes, UAQ. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reconsiderando la consagración de la primavera 100 años después. Creator An entity primarily responsible for making the resource Alberto Novoa Ruiz Mediator An entity that mediates access to the resource and for whom the resource is intended or useful. In an educational context, a mediator might be a parent, teacher, teaching assistant, or care-giver. Dr. Mauricio F. Beltrán Miranda/Lic. Efraím Escobar Ramírez/Dr. Sergio Rivera Guerrero Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Facultad de Bellas Artes/Licenciatura en Música Abstract A summary of the resource. Esta investigación se enfoca en estudiar las estructuras rítmico-métricas utilizadas por Stravinsky en La Consagración de la Primavera. Se analiza uno de los movimientos del ballet: El Ritual de las Tribus Rivales, y se profundiza haciendo una clasificación y distribución de los elementos rítmicos de tal manera que permitan una mejor comprensión de la obra, y del manejo y empleo de los mismos. Se analiza la manera en que Stravinsky logra crear un clima de caos y desorden sin que su obra deje de tener coherencia y unidad, y se muestran algunos procedimientos de composición típicamente utilizados por Stravinsky. Se aborda el contexto histórico de Stravinsky, el desastre ocurrido en el estreno de La Consagración y algunos pasajes de su música en sus diferentes periodos musicales. Description An account of the resource This research focuses on studying the rhythmic and metrical structures used by Stravinsky in The Rite of Spring. One of the movements of the ballet is analyzed: Ritual of the Two Rival Tribes. The dissertation deepens by making a classification and distribution of the rhythmic elements in such a way that they allow a better understanding of the work, and the way Stravinsky uses them, as well as how Stravinsky manages to create a sensation of chaos and disorder without compromising coherence and unity, and some ways and tools of composition typically used by Stravinsky are shown. The historical context of Stravinsky, the disaster that occurred at the premiere of The Rite and some passages of his music in its different musical periods are addressed. Date Created Date of creation of the resource. 2018 Identifier An unambiguous reference to the resource within a given context ReDCAAcademico000001 Table Of Contents A list of subunits of the resource. Académico/ReDCA/Facultad de Bellas Artes Rights Holder A person or organization owning or managing rights over the resource. Académico, ReDCA, FBA, UAQ License A legal document giving official permission to do something with the resource. Creative Commons: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/) Consagración Consecration L.M Licenciatura en Música Primavera Spring Stravinsky