http://redca.uaq.mx/academico/files/original/a9a78ecd06658e9d8052e0549eaf3191.jpg 68ca2944e6386a12eb41d526d34e84bd http://redca.uaq.mx/academico/files/original/91b1b9caea4bab9dd19db7a59e0c8208.pdf ce2e994fd30b5ebd71f333efe39341c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maestría en Arte Moderno y Contemporáneo Description An account of the resource En esta colección se pueden encontrar los proyectos de la Maestría en Arte Moderno y Contemporáneo de la Facultad de Artes, UAQ. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Federico Castro; una vida consagrada a la danza. Creator An entity primarily responsible for making the resource Ana Cristina Medellín Gómez Mediator An entity that mediates access to the resource and for whom the resource is intended or useful. In an educational context, a mediator might be a parent, teacher, teaching assistant, or care-giver. M en C. Jorge Juanes López Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Facultad de Bellas Artes/Maestría en Arte Moderno y Contemporáneo Abstract A summary of the resource. Los objetivos centrales del presente trabajo son: Dar a conocer la trayectoria profesional de Federico Castro y el impacto que ésta representa en el quehacer dancístico de nuestra cultura. Establecer un antecedente para la compilación y divulgación de material relacionado con la danza que sirva a presentes y futuras generaciones de estudiantes y profesionales como parámetro para crear y constituir sus obras, así como generar una referencia para todo el que requiera la información aquí contenida; ya que actualmente se carece de material de consulta sobre el importante papel que figuras como Castro han desempeñado en el ámbito artístico mexicano. La información sobre la breve historia de ta danza, las biografías de lsadora Duncan y Martha Graham, así como los datos biográficos sobre Guillermina Bravo y Federico Castro se tomaron de publicaciones reconocidas y se complementaron con investigación, entrevistas personales y el testimonio de la autora. Para el compendio coreográfico, se recolectaron programas de mano, documentos hemerográficos y otros impresos que contuvieran los datos completos de cada obra creada por Castro. Se incluyeron veinticinco fotografías que testifican algunas coreografías y sesenta y cinco fotografías de los personajes mencionados como apoyo visual al contenido. Se recorre desde la antigüedad, la raíz que desemboca en la línea que ha trazado Federico Castro como bailarín, maestro y coreógrafo. Es necesario entender cómo llegó a representar un punto de referencia en la cultura mexicana, por tal motivo se analizan las relaciones dadas entre personas e instituciones como Guillermina Bravo y El Ballet Nacional de México, que permitieron el desarroüo de la danza moqema en nuestro país, hasta precisar la trayectoria profesional del artista en el presente testimonio. Se necesitan coreógrafos con la energía creativa de Federico Castro y publicaciones que constituyan el acervo dancístico de nuestra cultura. Description An account of the resource The main objectives of this paper are: to present the professional work of Federico castro and his influence on the dancing development of our culture. To set a background to file and publish material related to dance for present and future generations of students and professional dancers that can be used as a guideline for their creations and to establish a consulting resource for all the people interested in the information contained in this paper, since there is no document about the importance of figures like castro in the artistic environment of Mexico. The information related to the brief history of dance, the biographies of Isadora Duncan and Martha Graham and the biographical information of Guillermina Bravo and Federico Castro were taken from published documents and were completed with research, personal interviews and the testimony of the author. To build the choreographies file severa! programs, news papers and other documental written sources were collected in order to get the complete data of each of castro' s ·creations. Twenty five photographs of the choreographies and sixty five images of the mentionecl characters were included as a visual support to the text. From ancient times, we finally find the main source of the line traced by Federico castro as a dancer, teacher and choreographer. Since it is necessary to understand how he became a reference point for Mexican culture, the author analyzecl the relationships among people like Guilfermina Bravo and institutions like The National Ballet of Mexico that enabled the development of modem dance in our counby, in order to outline the profession9I career of the artist in this testimony. We need choreographers with the creative energy of Federico castro and publish~ material to establish the dance stock of our culture. Date Created Date of creation of the resource. 2005 Identifier An unambiguous reference to the resource within a given context ReDCAAcademico000005 Table Of Contents A list of subunits of the resource. Académico/ReDCA/Facultad de Bellas Artes Rights Holder A person or organization owning or managing rights over the resource. Académico, ReDCA, FBA, UAQ License A legal document giving official permission to do something with the resource. Creative Commons: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/) Art Arte Cultura Culture Federico Castro M.A.M.C Maestría en Arte Moderno y Contemporáneo