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            <name>Title</name>
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                <text>Maestría en Arte: Estudios de Arte Moderno y Contemporáneo. </text>
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            <name>Description</name>
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                <text>En esta colección se pueden encontrar los proyectos de la Maestría en Arte: Estudios de Arte moderno y contemporáneo de la Facultad de Artes, UAQ.</text>
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          <name>Title</name>
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              <text>El Butoh en la figura de Kazuo Ohno como una propuesta que afirma la unidad indisociable entre la danza y el teatro.</text>
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          <name>Creator</name>
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              <text>Alma Rosa Martín Suárez</text>
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          <name>Mediator</name>
          <description>An entity that mediates access to the resource and for whom the resource is intended or useful. In an educational context, a mediator might be a parent, teacher, teaching assistant, or care-giver.</description>
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              <text>Dra. María Margarita De Haene Rosique</text>
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          <name>Provenance</name>
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              <text>Facultad de Bellas Artes/Maestría en Arte: Estudios en Arte Moderno y Contemporáneo</text>
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              <text>Tradicionalmente se ha observado una división positivista entre teatro y&#13;
danza, lo que limita las posibilidades interpretativas tanto del bailarín como del&#13;
actor, por lo que ésta investigación gira en torno al análisis de las posturas&#13;
vanguardistas que en el área de estudios del Arte Moderno y Contemporáneo&#13;
abordan el problema del cuerpo expresivo en las Artes Escénicas.Se analizaron&#13;
diferentes propuestas teóricas de las artes escénicas que aluden a la importancia&#13;
de la unidad de la Danza y el Teatro y de manera importante se estudió la&#13;
propuesta de Kazuo Ohno en el arte del Butoh que permite afirmar la idea&#13;
fundamental de una unidad entre el teatro y la danza a través de un sólo cuerpo&#13;
expresivo.</text>
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              <text>Traditionally, there has been a positivistic separation between theater and&#13;
dance, which reduces the field of interpretation for both the dancer and the actor.&#13;
Hence, this investigation relies on the analysis of the avant-garde studies in the&#13;
field of Modern and Contemporary Art, apprehending the problem of the&#13;
« expressive body » in the scenic arts. Different theoretical proposals for the scenic&#13;
arts are analyzed which support the importance of unity between Dance and&#13;
Theater, mainly in the proposal by Kazuo Ohno in the art of Butoh, affirming the&#13;
fundamental idea of unity between theater and dance through a one and only&#13;
« expressive body ».</text>
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          <name>Date Created</name>
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              <text>2010</text>
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              <text>ReDCA000004</text>
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          <name>Table Of Contents</name>
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              <text>Académico/ReDCA/Facultad de Bellas Artes</text>
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          <name>Rights Holder</name>
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              <text>Académico, ReDCA, FBA, UAQ</text>
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          <name>License</name>
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            <elementText elementTextId="61">
              <text>Creative Commons: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/)</text>
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      <name>Artes escénicas</name>
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      <name>Expressive body</name>
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      <name>M.A.E.A.M.C</name>
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      <name>Maestría en Arte: Estudios en Artes Moderno y Contemporáneo</name>
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      <name>Scenic arts</name>
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      <name>Surrealism</name>
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      <name>Surrealismo</name>
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