http://redca.uaq.mx/academico/files/original/48243c558cfdb13e8f59b524ad9b19c7.jpg e14f2483ab219e63b772aba0497012bc http://redca.uaq.mx/academico/files/original/27c6ec8a8cf997d07c58374478de5f0f.pdf c1ca62a21476ae46ffbca5404308acb8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maestría en Arte Contemporáneo y Sociedad Description An account of the resource En esta colección se pueden encontrar los proyectos de la Maestría en Arte Contemporáneo y Sociedad de la Facultad de Artes, UAQ. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La retícula en el arte. Presencia de redes espaciales en el Geometrismo Mexicano. Creator An entity primarily responsible for making the resource Luisa Fernanda Lloret Ripoll Mediator An entity that mediates access to the resource and for whom the resource is intended or useful. In an educational context, a mediator might be a parent, teacher, teaching assistant, or care-giver. Dra. María Margarita De Haene Rosique Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Facultad de Bellas Artes/Maestría en Artes con línea terminal en Arte Contemporáneo y Sociedad Abstract A summary of the resource. La retícula ha sido un tema recurrente en el lenguaje visual de la obra plástica del siglo XX. Su éxito reside como recurso para numerosos artistas de la abstracción moderna, como lenguaje visual de las principales obras de arte moderno y como un emblema de modernidad en el arte. Aunque la retícula como concepto en teoría del arte ha sido tema de discusión en obras de artistas extranjeros, ha recibido poca atención para abordar la pintura de artistas del geometrismo mexicano. En este trabajo se estudia la presencia de la retícula en una selección de obras europeas y norteamericanas del siglo XX vinculando ideas de los textos de Rosalind Krauss, quien la define como concepto en su ensayo Retículas de 1979. Se presenta una investigación acerca del contexto histórico del geometrismo mexicano y la posible influencia que este grupo recibió de las vanguardias europeas. El estudio cierra con un análisis de la retícula y su manifestación como redes espaciales a partir de la obra de artistas pertenecientes al geometrismo mexicano, quienes exploraron sus posibilidades y limitaciones dentro de su lenguaje visual. Description An account of the resource The grid has been a recurring topic on the visual language of 20th. Century art. Its success has resided as a resource for modern abstract painters and as visual language of modern art pieces as well as a symbol of modernity in art. Even though the grid as a concept in art theory has been discussed thoroughly by foreign art critiques and artists, it has received little attention to acknowledge Mexican geometrism artworks. In this study, the grid is analized throughout a selection of 20th. Century European and American paintings, linking Rosalind Krauss ideas as she defined the grid in her 1979 text, Grids. A research on Mexican geometrism historical context provides information on how this group was created, who were its members and if they might have been influenced by European vangards. This study ends with an analysis of the grid and how it is expressed through spatial nets by Mexican geometrism artists, who explored its possibilities and limitations within their visual language. Date Created Date of creation of the resource. 2014 Identifier An unambiguous reference to the resource within a given context ReDCAAcademico000034 Table Of Contents A list of subunits of the resource. Académico/ReDCA/Facultad de Bellas Artes Rights Holder A person or organization owning or managing rights over the resource. Académico, ReDCA, FBA, UAQ License A legal document giving official permission to do something with the resource. Creative Commons: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/) Arte moderno Grid Lenguaje visual M.A.C.S Maestría en Arte Contemporáneo y Sociedad Modern art Retícula Visual language