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                <text>Maestría en Arte: Estudios de Arte Moderno y Contemporáneo. </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>En esta colección se pueden encontrar los proyectos de la Maestría en Arte: Estudios de Arte moderno y contemporáneo de la Facultad de Artes, UAQ.</text>
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          <name>Title</name>
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              <text>Fenómeno de Culto de la Película Musical “Hedwig and the Angry Inch”</text>
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          <name>Creator</name>
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              <text>Elba Leticia Maya Durán</text>
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          <name>Mediator</name>
          <description>An entity that mediates access to the resource and for whom the resource is intended or useful. In an educational context, a mediator might be a parent, teacher, teaching assistant, or care-giver.</description>
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              <text>Dra. Teresa Bordons Gangas </text>
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        <element elementId="90">
          <name>Provenance</name>
          <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <text>Facultad de Bellas Artes/Maestría en Arte: Estudios De Arte Moderno y Contemporáneo</text>
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          <name>Abstract</name>
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              <text>Este trabajo de tesis se realizó con el objetivo de analizar las características que&#13;
pueden llevar a una película a convertirse en un fenómeno de culto tomando como&#13;
base la película musical “Hedwig and the Angry Inch” de 2001 del director John&#13;
Cameron Mitchell (Estados Unidos). Se investigaron tres géneros fílmicos (desde&#13;
una perspectiva de estudios enfocados en el cine estadounidense), el cine musical&#13;
de rock, el cine Queer y el cine de culto, para entender el significado que engloba&#13;
su concepción en el cine norteamericano, así como su relación con la película de&#13;
estudio. Además de ser géneros relevantes para entender el filme, se escogieron&#13;
por ser géneros contemporáneos y poco investigados en español. Se utilizó el&#13;
esquema de “Elementos de análisis cinematográfico” propuesto por el profesor&#13;
Lauro Zavala para medir el comportamiento de variables en el filme y separar sus&#13;
diferentes líneas de acción. El último capítulo está dedicado a intentar comprender&#13;
el lugar que ocupan las canciones en el cine musical por medio de la película de&#13;
estudio, dividiendo en tres actos los tres momentos más importantes de la&#13;
estructura narrativa cinematográfica. El acto primero para la canción que permita&#13;
conocer los deseos del personaje, el segundo acto para la transformación del&#13;
personaje y el tercero para la culminación del aprendizaje del personaje.</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>The objective of this work was to analyze the characteristics which can make a&#13;
movie become a cult phenomenon. The work is based on the 2001 musical film&#13;
"Hedwig and the Angry Inch" directed by John Cameron Mitchell (United States).&#13;
Three film genres were researched (from a study perspective focused on movies&#13;
from the United States) - rock musical films , Queer films and cult films - in order to&#13;
understand the meaning contained in their conception within North American film&#13;
making, as well as their relation to studio films. Besides being genres that are&#13;
relevant in understanding the film, they were chosen because they are&#13;
contemporary genres and because they have barely been studied in Spanish. The&#13;
schema used was "Elementos de análisis cinematográfico" ("Elements of&#13;
Cinematographic Analysis") proposed by Professor Lauro Zavala to measure the&#13;
behavior of variables in the film and to separate the different lines of action. The&#13;
last chapter explores the importance of the songs in musical films by means of&#13;
studio films, dividing into three acts the three most important moments in the&#13;
narrative cinematographic structure. The first act related to song makes the wishes&#13;
of the character known, the second act is for the transformation of the character&#13;
and the third is for the culmination of learning regarding the character.&#13;
The objective of this work was to analyze the characteristics which can make a&#13;
movie become a cult phenomenon. The work is based on the 2001 musical film&#13;
"Hedwig and the Angry Inch" directed by John Cameron Mitchell (United States).&#13;
Three film genres were researched (from a study perspective focused on movies&#13;
from the United States) - rock musical films , Queer films and cult films - in order to&#13;
understand the meaning contained in their conception within North American film&#13;
making, as well as their relation to studio films. Besides being genres that are&#13;
relevant in understanding the film, they were chosen because they are&#13;
contemporary genres and because they have barely been studied in Spanish. The&#13;
schema used was "Elementos de análisis cinematográfico" ("Elements of&#13;
Cinematographic Analysis") proposed by Professor Lauro Zavala to measure the&#13;
behavior of variables in the film and to separate the different lines of action. The&#13;
last chapter explores the importance of the songs in musical films by means of&#13;
studio films, dividing into three acts the three most important moments in the&#13;
narrative cinematographic structure. The first act related to song makes the wishes&#13;
of the character known, the second act is for the transformation of the character&#13;
and the third is for the culmination of learning regarding the character.</text>
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          <name>Date Created</name>
          <description>Date of creation of the resource.</description>
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              <text>2009</text>
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          <name>Identifier</name>
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              <text>ReDCAAcademico000037</text>
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          <name>Table Of Contents</name>
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            <elementText elementTextId="157">
              <text>Académico/ReDCA/Facultad de Bellas Artes</text>
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        <element elementId="91">
          <name>Rights Holder</name>
          <description>A person or organization owning or managing rights over the resource.</description>
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            <elementText elementTextId="158">
              <text>Académico, ReDCA, FBA, UAQ</text>
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          <name>License</name>
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            <elementText elementTextId="159">
              <text>Creative Commons: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/)</text>
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      <name>Cine de Culto</name>
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      <name>Cine Musical de Rock</name>
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    <tag tagId="40">
      <name>Cine Queer</name>
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    <tag tagId="44">
      <name>Cult Cinema</name>
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    <tag tagId="346">
      <name>M.A.E.A.M.C</name>
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    <tag tagId="345">
      <name>Maestría en Arte: Estudios en Artes Moderno y Contemporáneo</name>
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    <tag tagId="43">
      <name>Queer Cinema</name>
    </tag>
    <tag tagId="42">
      <name>Rock musical movies</name>
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