http://redca.uaq.mx/academico/files/original/de3fa199570ae33aafd12f3dadbeac11.jpg 35ca6fa1abbb8761fd6868fc1b8e360c http://redca.uaq.mx/academico/files/original/f1cdb8724ef5ce2b9c07c7a50652ec74.pdf 72ea29ca6b4ef9931bcee311a232c8e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maestría en Arte Contemporáneo y Cultura Visual Description An account of the resource En esta colección se pueden encontrar los proyectos de la Maestría en Arte Contemporáneo y Cultura Visual de la Facultad de Artes, UAQ. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Análisis comparativo de las obras de Teresa Margolles, Enrique Metinides Y Martha Pacheco sobre la representación del cadáver. Creator An entity primarily responsible for making the resource Carolina Herrera Aparicio Mediator An entity that mediates access to the resource and for whom the resource is intended or useful. In an educational context, a mediator might be a parent, teacher, teaching assistant, or care-giver. Dra. Alejandra Díaz Zepeda Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Facultad de Bellas Artes/Maestría en Arte Contemporáneo y Cultura Visual Abstract A summary of the resource. A través del análisis de las obras de los mexicanos Teresa Margolles, Enrique Metinides y Martha Pacheco, esta investigación busca explorar los discursos artísticos que giran en torno a la representación del cadáver. Partiendo de los conceptos que se asocian a este último como lo abyecto, el morbo y lo obsceno, estudiados desde diferentes disciplinas como el psicoanálisis, la filosofía, la sociología y la teoría de la imagen y alejados de los juicios morales, se utilizan como estrategias de análisis que permiten profundizar en las obras de los artistas y en la reacción del espectador ante ellas. Margolles utiliza la materialidad del cadáver como algo abyecto que traduce la violencia social y confronta la psique del espectador. Lo morboso en las fotografías de Metinides revela la atracción de mirar que existe hacia el cadáver y el desconocimiento que tiene el individuo de sí mismo. Lo obsceno en las pinturas de Pacheco, en donde un cadáver anónimo hipervisible demuestra que los ideales del humanismo no alcanzaron para proporcionar dignidad a todos los hombres. Estos artistas abren la posibilidad de que el espectador repiense la forma en que se relaciona con la muerte y con los muertos, desde de la violencia que genera esas muertes y la violenta presencia del cadáver para el hombre contemporáneo. Description An account of the resource This study explores the artistic discourses related to the representation of the corpse through the analysis of the works of the Mexicans Teresa Margolles, Enrique Metinides and Martha Pacheco. Beginning with the concepts associated with this subject, such as what is abject, morbid and obscene, studied within different disciplines such as psychoanalysis, philosophy, sociology and the theory of image, taken apart from moral judgments, these are used as analysis strategies for delving into the works of the artists and the reaction of the spectator to these works. Margolles uses the materiality of the corpse as something abject which translates social violence and confronts the spectator’s psyche. The morbidness of Metinides’ photographs reveals the attraction of looking at the corpse and the individual’s ignorance of himself/herself. The obscene in the paintings of Pacheco showing a hyper-visible anonymous corpse demonstrates that the ideals of humanism did not provide dignity to all men. These artists give the spectator a chance to rethink the way in which he/she relates to death and the dead, from the violence that causes these deaths and the violent presence of the corpse for contemporary man. Date Created Date of creation of the resource. 2017 Identifier An unambiguous reference to the resource within a given context ReDCAAcademico000094 Table Of Contents A list of subunits of the resource. Académico/ReDCA/Facultad de Bellas Artes Rights Holder A person or organization owning or managing rights over the resource. Académico, ReDCA, FBA, UAQ License A legal document giving official permission to do something with the resource. Creative Commons: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/) Abject Abyecto Arte contemporáneo Cadáver Contemporary art Corpse M.A.C.C.V Maestría en Arte Contemporáneo y Cultura Visual