http://redca.uaq.mx/academico/files/original/8c77ac91972f2c262b9de876b0d7d608.jpg 4783298644feded4cb746918a1b568c8 http://redca.uaq.mx/academico/files/original/455e03102403adbdf2d78ff392181f2b.pdf 6c0dd1128d22b1ec78e11f6c064bbaed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maestría en Arte Contemporáneo y Sociedad Description An account of the resource En esta colección se pueden encontrar los proyectos de la Maestría en Arte Contemporáneo y Sociedad de la Facultad de Artes, UAQ. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arte interactivo y sistemas de control: La inmersión y el encierro del sujeto intervidente como injerto de la obra. Creator An entity primarily responsible for making the resource Lilián María José González González Mediator An entity that mediates access to the resource and for whom the resource is intended or useful. In an educational context, a mediator might be a parent, teacher, teaching assistant, or care-giver. Dra. María Margarita De Haene Rosique Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Facultad de Bellas Artes/Maestría en Artes con línea terminal en Arte Contemporáneo y Sociedad Abstract A summary of the resource. Las obras de arte que utilizan nuevas tecnologías generan una relación interesante entre el sujeto y el objeto artístico que en casos específicos apuntan a la representación o alusión de los sistemas de control social. Después de la revisión de varios textos sobre arte digital, Realidad Virtual y arte interactivo, se encontró la falta de conceptualización y reflexión teórica en torno a las obras artísticas que representan de forma explícita o disfrazada los sistemas de control existentes dentro del arte interactivo y la Realidad Virtual. Es por esto que será enriquecedor proponer nuevos enfoques interpretativos a estas obras de arte, encontrando en ellas las estrategias operativas de los sistemas de control y encierro hacia el sujeto mediante tres enfoques principalmente; el primero mediante la abolición de la distancia entre el sujeto y la obra, es decir el sujeto queda sumergido –encerrado- dentro de la obra, el segundo es la noción de sujeto como injerto de la obra dejando de ser solamente el espectador y ahora disolviéndose en la obra hasta convertirse en injerto y finalmente el tercero es la representación de una obra que encarcela, encierra, utiliza, manipula y vigila al espectador representando de esta manera explícitamente los sistemas de control social. Con estas tres vertientes este texto genera una nueva categoría de análisis del arte y el uso de nuevas tecnologías que puede resultar enriquecedor para estudios de arte digital, Realidad Virtual y Arte Interactivo. Description An account of the resource Works of art using new technologies create an interesting relationship between the subject and the artistic object, which in specific cases points to the representation or allusion of social control systems. After reviewing of several texts on Digital Art, Virtual Reality and Interactive Art, a lack of conceptualization and theoretical reflection regarding the artistic works that represent explicitly or in a disguised manner the control systems that exist within Interactive Art and Virtual Reality was found. As a result, it will be enriching to propose new interpretive focuses on these art works, finding in them the operative strategies of the system of control and enclosure of the subject chiefly through three focuses: the first through the abolition of distance between the subject and the work, in other works, the subject is immersed closed within the work; the second is notion of the subject as an implant within the work, ceasing to be only a viewer and becoming dissolved in the work until he/she becomes and implant; finally, the third is the representation of a work that imprisons, closes in, utilizes, manipulates and keeps guard over the viewer, thus explicitly representing the system of social control. By using these three aspects, this text creates a new category of art analysis and the use of new technologies that can be enriching for Digital Art, Virtual Reality and Interactive Art studies. Date Created Date of creation of the resource. 2012 Identifier An unambiguous reference to the resource within a given context ReDCAAcademico000046 Table Of Contents A list of subunits of the resource. Académico/ReDCA/Facultad de Bellas Artes Rights Holder A person or organization owning or managing rights over the resource. Académico, ReDCA, FBA, UAQ License A legal document giving official permission to do something with the resource. Creative Commons: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/) Arte interactivo Hacker Interactive art M.A.C.S Maestría en Arte Contemporáneo y Sociedad Realidad virtual Virtual reality